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Linda Nochlin`s seminal essay on women artists is widely acknowledged as the first real attempt at a feminist history of art. Nochlin refused to handle the question of why there had been no `great women artists` on its own, corrupted, terms. Instead, she dismantled the very concept of `greatness`, unravelling the basic assumptions that had centred a male-coded `genius` in the study of art. With unparalleled insight and startling wit, Nochlin laid bare the acceptance of a white male viewpoint in art historical thought as not merely a moral failure, but an intellectual one. Freedom, as she sees it, requires women to risk entirely demolishing the art world`s institutions, and rebuilding them anew - in other words, to leap into the unknown.In this stand-alone anniversary edition, Nochlin`s essay is published alongside its reappraisal, `Thirty Years After`. Written in an era of thriving feminist theory, as well as queer theory, race and postcolonial studies, `Thirty Years After` is a striking reflection on the emergence of a whole new canon. With reference to Joan Mitchell, Louise Bourgeois, Cindy Sherman and many more, Nochlin diagnoses the state of women and art with unmatched precision and verve. `Why Have There Been No Great Women Artists?` has become a slogan and rallying cry that resonates across culture and society; Dior even adopted it in their 2018 collections. In the 2020s, at a time when `certain patriarchal values are making a comeback`, Nochlin`s message could not be more urgent: as she herself put it in 2015, `there is still a long way to go`.
Linda Nochlin`s seminal essay on women artists is widely acknowledged as the first real attempt at a feminist history of art. Nochlin refused to handle the question of why there had been no `great women artists` on its own, corrupted, terms. Instead, she dismantled the very concept of `greatness`, unravelling the basic assumptions that had centred a male-coded `genius` in the study of art. With unparalleled insight and startling wit, Nochlin laid bare the acceptance of a white male viewpoint in art historical thought as not merely a moral failure, but an intellectual one. Freedom, as she sees it, requires women to risk entirely demolishing the art world`s institutions, and rebuilding them anew - in other words, to leap into the unknown.In this stand-alone anniversary edition, Nochlin`s essay is published alongside its reappraisal, `Thirty Years After`. Written in an era of thriving feminist theory, as well as queer theory, race and postcolonial studies, `Thirty Years After` is a striking reflection on the emergence of a whole new canon. With reference to Joan Mitchell, Louise Bourgeois, Cindy Sherman and many more, Nochlin diagnoses the state of women and art with unmatched precision and verve. `Why Have There Been No Great Women Artists?` has become a slogan and rallying cry that resonates across culture and society; Dior even adopted it in their 2018 collections. In the 2020s, at a time when `certain patriarchal values are making a comeback`, Nochlin`s message could not be more urgent: as she herself put it in 2015, `there is still a long way to go`.
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Jazyk: Angličtina
Nakladatelství: Folio, spol.s r.o.
Vazba: Knihy - vázané
Stran: 112
Datum vydání: 26.03.2021
EAN: 9780500023846
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